Style has long been a reviled concept in architecture. From Mies van der Rohe equating style with formalism, to Rem Koolhaas parroting Le Corbusier’s ‘The “styles” are a lie’ in the S,M,L,XL glossary, style has been viewed with suspicion by architects and historians for most of the twentieth century. The scepticism persists. Apart from a brief comeback in the 1980s, the term still seems to ring with modernist allegations of lie, deceit, and historicist masquerade.
Modernist critique notwithstanding, style was for centuries a way of dealing with meaning in architecture and a subtle vehicle for thinking about architecture’s referentiality and historicity. Whether one studies nineteenth-century style theory or twentieth-century anti-style rhetoric, the centrality of the concept to modern architectural culture can hardly be overestimated. All the more curious, then, is the conspicuous lack of interest in style among contemporary architectural historians.
This issue investigates style as theory and practice. The contributors trace the formation of the modern concept of style in architecture; investigate the particular idea of history underlying it, and probe into key examples of style at work. They show how style has served to reconfigure time and place, and reveal the complex temporality at work in architectural style.
Guest Editor: Mari HvattumResearch Article
The Performative Character of Style
Martin Bressani
2018-12-07 Volume 6 • Issue 1 • 2018 • Volume 6 • 15
Also a part of:
The Style Empire and its Pedigree: Piranesi, Pompeii and Alexandria
Caroline van Eck
2018-12-07 Volume 6 • Issue 1 • 2018 • Volume 6 • 16
Also a part of:
Style Debates in Early 20th-Century German Architectural Discourse
Deborah Ascher Barnstone
2018-12-07 Volume 6 • Issue 1 • 2018 • Volume 6 • 17
Also a part of:
Style: Notes on the Transformation of a Concept
Mari Hvattum
2019-10-25 Volume 7 • Issue 1 • 2019 • Volume 7 • 22
Also a part of:
Experiencing the Gothic Style
Sigrid de Jong
2019-12-16 Volume 7 • Issue 1 • 2019 • Volume 7 • 25
Also a part of:
Editorial
Collections
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Women’s display. Women’s exhibitions and exhibition design in the 20th century
Building Civic Identities. Communal Palaces in Italian Urban History (14th-17th Centuries)
Intersecting Practices: Architecture and the Visual Arts in Early Modern Europe - Italy and the Netherlands
The Geopolitical Aesthetic of Postmodernism
Architects as Global Entrepreneurs (1850-2000)
From Ration Cards to Refugee Camps: Architecture, Bureaucracy, and the Global State of Emergency during World War One
Comprador Networks and Comparative Modernities
Architectural Historiography and Fourth Wave Feminism
Marxism and Architectural Theory across the East-West Divide
Resilience in Architectural History
On Style
On the meaning of 'Europe' for Architectural History
Travel
Building Word Image: Printing Architecture 1800-1950
Objects of Belief: Proportional Systems in the History of Architecture
Culture of Crisis