Volume 3 • Issue 1 • 2015 • Volume 3


Research Article

Leonardo da Vinci: The Proportions of the Drawings of Sacred Buildings in Ms. B, Institut de France
Leonardo da Vinci: The Proportions of the Drawings of Sacred Buildings in Ms. B, Institut de France

Francesco Di Teodoro

Volume 3 • Issue 1 • 2015 • Volume 3 • Art. 1

Also a part of:

Collection: Objects of Belief: Proportional Systems in the History of Architecture

Scamozzi’s Orders and Proportions: An End to Illusions or a Visionary Harbinger?
Scamozzi’s Orders and Proportions: An End to Illusions or a Visionary Harbinger?

Franco Barbieri

Volume 3 • Issue 1 • 2015 • Volume 3 • Art. 2

Also a part of:

Collection: Objects of Belief: Proportional Systems in the History of Architecture

Using Aerial Photography to Study Mexico City: The El Caballito
Using Aerial Photography to Study Mexico City: The El Caballito

Lourdes Roca

Volume 3 • Issue 1 • 2015 • Volume 3 • Art. 7

Rudolf Wittkower versus Le Corbusier: A Matter of Proportion
Rudolf Wittkower versus Le Corbusier: A Matter of Proportion

Francesco Benelli

Volume 3 • Issue 1 • 2015 • Volume 3 • Art. 8

Also a part of:

Collection: Objects of Belief: Proportional Systems in the History of Architecture

The Matrix Regained: Reflections on the Use of the Grid in the Architectural Theories of Nicolaus Goldmann and Jean-Nicolas-Louis Durand
The Matrix Regained: Reflections on the Use of the Grid in the Architectural Theories of Nicolaus Goldmann and Jean-Nicolas-Louis Durand

Jeroen Goudeau

Volume 3 • Issue 1 • 2015 • Volume 3 • Art. 9

Also a part of:

Collection: Objects of Belief: Proportional Systems in the History of Architecture

Proportion and Building Material, or Theory versus Practice in the Determination of the Module
Proportion and Building Material, or Theory versus Practice in the Determination of the Module

Lex Bosman

Volume 3 • Issue 1 • 2015 • Volume 3 • Art. 10

Also a part of:

Collection: Objects of Belief: Proportional Systems in the History of Architecture

On Architectural Practice and Arithmetic Abilities in Renaissance Italy
On Architectural Practice and Arithmetic Abilities in Renaissance Italy

Giulia Ceriani Sebregondi

Volume 3 • Issue 1 • 2015 • Volume 3 • Art. 11

To See (Like) a Crowd
To See (Like) a Crowd

Hazem Ziada

Volume 3 • Issue 1 • 2015 • Volume 3 • Art. 13

On the Material and Immaterial Architecture of Organised Positivism in Britain
On the Material and Immaterial Architecture of Organised Positivism in Britain

Matthew Wilson

Volume 3 • Issue 1 • 2015 • Volume 3 • Art. 15

‘The Signature of Architecture’: Compositional Ideas in the Theory of Profiles
‘The Signature of Architecture’: Compositional Ideas in the Theory of Profiles

Michael Hill and Peter Kohane

Volume 3 • Issue 1 • 2015 • Volume 3 • Art. 18

Balancing Acts Between Ancient and Modern Cities: The Ancient Greek Cities Project of C. A. Doxiadis
Balancing Acts Between Ancient and Modern Cities: The Ancient Greek Cities Project of C. A. Doxiadis

Mantha Zarmakoupi

Volume 3 • Issue 1 • 2015 • Volume 3 • Art. 19

Promenade Among Words and Things: The Gallery as Catalogue, the Catalogue as Gallery
Promenade Among Words and Things: The Gallery as Catalogue, the Catalogue as Gallery

Mari Lending

Volume 3 • Issue 1 • 2015 • Volume 3 • Art. 20

Goethe in the Hall and His Journeys in Printed Rome
Goethe in the Hall and His Journeys in Printed Rome

Victor Tschudi

Volume 3 • Issue 1 • 2015 • Volume 3 • Art. 21

‘Illustrated Picturesquely and Architecturally in Photography’: William J. Stillman and the Acropolis in Word and Image
‘Illustrated Picturesquely and Architecturally in Photography’: William J. Stillman and the Acropolis in Word and Image

Dervla MacManus and Hugh Campbell

Volume 3 • Issue 1 • 2015 • Volume 3 • Art. 22

‘Puisé Aux Meilleures Sources’: Textual and Visual Strategies of Mid‐19th‐Century Architectural Historiography in Belgium
‘Puisé Aux Meilleures Sources’: Textual and Visual Strategies of Mid‐19th‐Century Architectural Historiography in Belgium

Ellen Van Impe

Volume 3 • Issue 1 • 2015 • Volume 3 • Art. 23

Position Paper

The Gold Coast Moment
The Gold Coast Moment

Andrew Leach

Volume 3 • Issue 1 • 2015 • Volume 3 • Art. 3

The Third EAHN Meeting in Turin: A Roundup
The Third EAHN Meeting in Turin: A Roundup

Michela Rosso, Elvan Altan Ergut, Davide Deriu, Ruth Hanisch, Merlijn Hurx and Nancy Stieber

Volume 3 • Issue 1 • 2015 • Volume 3 • Art. 14

The Convent of Santa Chiara in Urbino: A New Chronology of its Construction and Patronage
The Convent of Santa Chiara in Urbino: A New Chronology of its Construction and Patronage

Sarah Pearson

Volume 3 • Issue 1 • 2015 • Volume 3 • Art. 16

Review

Surface as Screen and Performative Monuments: A Review of (1) Giuliana Bruno, Surface: Matters of Aesthetics, Materiality, and Media and (2) Mechtild Widrich, Performative Monuments: The Rematerialisation of Public Art
Surface as Screen and Performative Monuments: A Review of (1) Giuliana Bruno, Surface: Matters of Aesthetics, Materiality, and Media and (2) Mechtild Widrich, Performative Monuments: The Rematerialisation of Public Art

Henriette Steiner

Volume 3 • Issue 1 • 2015 • Volume 3 • Art. 4

Fascist Italy: Architectural and Urban Histories
Fascist Italy: Architectural and Urban Histories

Mia Fuller

Volume 3 • Issue 1 • 2015 • Volume 3 • Art. 5

A Disenchanted World? A Review of Holidays After the Fall: Seaside Architecture and Urbanism in Bulgaria and Croatia
A Disenchanted World? A Review of Holidays After the Fall: Seaside Architecture and Urbanism in Bulgaria and Croatia

Carmen Popescu

Volume 3 • Issue 1 • 2015 • Volume 3 • Art. 6

Coherence and Cacophony: Architecture and Interdisciplinarity in Studies of Early Modern London
Coherence and Cacophony: Architecture and Interdisciplinarity in Studies of Early Modern London

Kimberley Skelton

Volume 3 • Issue 1 • 2015 • Volume 3 • Art. 12

Swedish Masters of Modernism: A Review of Nicholas Adams, Gunnar Asplund’s Gothenburg: The Transformation of Public Architecture in Interwar Europe, and Janne Ahlin, Sigurd Lewerentz, Architect 1885–1975
Swedish Masters of Modernism: A Review of Nicholas Adams, Gunnar Asplund’s Gothenburg: The Transformation of Public Architecture in Interwar Europe, and Janne Ahlin, Sigurd Lewerentz, Architect 1885–1975

Peter Jones

Volume 3 • Issue 1 • 2015 • Volume 3 • Art. 17

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